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Voces Intimæ

Dmitrij Šostakovič Passacaglia from Lady Macbeth of the Mtsensk District

(1906 – 1975) op. 29*

 

Sergej Vasil'evič Rachmaninov Vocalise op. 34 n. 14*§

(1873 – 1943)

 

Ferenc Liszt Weinen, Klagen, Sorgen, Zagen – prelude for organ from

  1. – 1886) J. S. Bach’s cantata S 179 (1859)*

 

Max Reger From Two Spiritual Songs op. 105:

  1. – 1916) Ich sehe dich in tausend Bildern*§

Meine Seele ist still zu Gott*§

 

Mariä Wiegenlied (from Schlichte Weisen op. 76 n. 52)*§

 

Marco Enrico Bossi Colloquy with the swallows (from Three Franciscan

(1861 – 1925) Moments op. 140)*

 

Josef Gabriel Rheinberger From Sechs religiöse Gesänge op. 157 (1889):

  1. – 1901) Sehet, welche Liebe (Adagio non troppo)

Ich bin des Herrn (Con moto)

Ave Maria (Andantino)

 

Ottorino Respighi Prelude in a minor on the Bach’s chorale (BWV 351)

  1. – 1925) “Ich hab’ mein Sach Gott heimgestellt” (from Three

Preludes P 092, 1910)*

 

Camille Saint-Saëns Ave Maria (1865)*§

(1835 – 1921)

 

Ottorino Respighi Aria (organ transcription by Ireneo Fuser) P 032

(1901)*

 

Antonio Certani Improvviso (1947)*

(1879 – 1952)

 

Ernest Chausson Pater noster (from Trois Motets op. 16, 1922)§*

(1855 – 1899)

 

Nino Rota Salve Regina*§

(1911 – 1979)

 

Claude Debussy Les angélus L. 88/(76) (1891)*§

(1862 – 1918)

 

Jehan Alain Le Jardin suspendu (chacone)

  1. – 1940) “Le Jardin suspendu, c’est l´idéal perpétuellement poursuivi et

fugitif de l’artiste, c’est le refuge inaccessible et inviolable”*

 

Giacomo Puccini Salve Regina S. 39 (1883?)*§

(1858 – 1924)

 

Giuseppe Verdi Ave Maria (1880)*§

(1813 – 1901)

 

Tatyana Suchkova-Gavriilova, mezzosoprano (§)

Enrico Presti, organ (*)

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